June has always been in motion. She’s never satisfied with a place for long, so she’s always moving and never content. Even her love life is a maelstrom, leaving behind a long list of lovers. After years of searching for a sense of belonging, she is drawn to the ocean waters near Leekston. She convinces Jeremy, a wealthy young playboy with a yacht, to take her out to the cold open waters.
She hopes to find answers, but Jeremy expects compensation for his trip and something watches in the deep waters. They are not alone.
As part of the Author Toolbox Blog Hop this month, I’m picking up on my Short Story series. It fizzled out a while back, but it’s something I’ve wanted to get back to but just hadn’t found the time. Well this Blog Hop was the perfect excuse! Check out all the posts in this month’s hop!
So you’ve written your short story, had someone else look at it, and gotten it as good as you can make it. The next step is finding a publisher for it! There are plenty of free blog posts that authors work to keep up to date for interested authors, but there are some sites that work to compile these publishers. And a few that publishers seek out to ensure they’re listed as a potential option. Some of these require a monthly payment and others don’t. Some are for particular genres and others are for all types of writing. I’ve tried to keep this list short and to only mention ones that I’ve personally used.
Years ago Duotrope was a free site. It was run by volunteers and it ran an annual donation drive. However over the years the donations just didn’t meet up with the server/data demands. So back in 2012 they went to pay.
I would argue they’re one of the best places to find publishers and to get ideas for writing prompts for short stories. Check out their calendar of theme deadlines for plenty of ideas. They let you keep track of your acceptances & rejections for years and if you have to skip a few months and come back due to your budget, your data will still be waiting for you. I highly recommend them.
One of the very first submission tracker available for free for authors was The Grinder. You can dig all sorts of information out of their site. Going to the homepage you can see all the recent rejections and acceptances that have been reported to the system. While I don’t think it’s as fully featured as Duotrope is, I find that it’s frequently recommended when the budget isn’t available for Duotrope’s fancier user interface and designs. It’s also not as personalized, but the information is up to date and you may find publishers here that aren’t in Duotrope and vica versa.
I’ve found a lot of unique calls for submissions and opportunities over at The Horror Tree. I can’t really say when they started out, but they’re fairly new, and their dedication to finding all sorts of horror and dark themed calls for submission are impressive. They also post occasional original shorts and do author interviews as well. (I did an interview with them last year, and will probably reach out to them again when The Seeking comes out!)
The Horror Tree runs on donations through their Patreon site. If you use this service, please consider becoming one of their Patrons! The Horror Tree Patreon
Facebook Groups for Writing Associations
Look for Facebook writing groups that will post up opportunities on a regular basis. For example, the Horror Writers Association Atlanta Chapter has a public group open to anyone with an interest in what’s going on with the Atlanta Chapter. Announcements happen there and so do discussions. Sometimes opportunities are posted too.
There are a TON of Facebook groups available for finding publishers. I honestly can’t list them all, but a few searches will bring up several options. From fantasy to science fiction to horror, there are all sorts of areas where publishers get listed. Make friends with authors in real life, befriend them on Facebook, find out what groups they’re in, and check them out yourself. Not all groups are equal and not all publishers are the same.
With that said, regardless of what publishers you find, before you send off your precious story, make sure you vet them to ensure they aren’t trying to scam authors. Duotrope screens their publishers, but that doesn’t mean you shouldn’t do the same. Look for warning signs:
Never pay to have your story published.
Never pay for editing services.
Never pay for publication services.
The money should always flow toward the author.
Look at other books they’ve had come out. How do their ratings look? How are their sales? Are there complaints about editing or quality?
Check out authors from their existing groups. Find their websites and see what kind of feedback you can find. Don’t be afraid to reach out, but don’t be surprised if you don’t hear back right away.
See if they’re listed on the Writer Beware website. These folks investigate claims of scamming and keep an active list of publishers and agents doing shady things.
Writer Beware has an excellent write-up of what to look for when evaluating a small press. Please don’t let this list intimidate you, but it’s good to do your research so you’re aware of what to look for in publishers, contracts, and how to speak up and negotiate for yourself. Usually short story contracts are pretty cut and dry and you don’t usually negotiate with those, but get used to evaluating them and reviewing them because you might one day want to read over one for a novel or collection of your short stories.
So you finished drafting your short story? Fantastic! Now comes what’s perhaps the hardest part to get used to with writing: getting feedback.
Let me warn you before you go emailing your reader friends for their advice, not everybody knows how to give constructive criticism. And you shouldn’t necessarily listen to all the criticism you come across. A full-time editor friend takes time out of their busy day to give you some feedback? Of course you should weigh their opinions more. But if a friend just gives it back to you, shrugs, and tells you they didn’t like it but it isn’t their preferred genre? I wouldn’t weigh criticisms as heavily. Remember it’s impossible to write a story that everybody will love (unless you’re J.K. Rowling, then maaaaybe).
There are a LOT of genres out there and plenty of different kinds of readers. It’s totally fine if your writing doesn’t work for everybody – that’s why writing is so unique! The more flavors out there, the more different the tastes will be.
So how do you find people willing to critique your work and give useful feedback? Here are some things I’ve tried:
Proof it yourself – This may seem kind of silly, but you will be surprised if you shelf that story for a couple of weeks or even a month then get back to it. You’ll find problems you never even noticed. Try reading it aloud – especially the dialogue. Does it sound clunky? Another trick is to read the story backwards. Check each sentence for grammatical errors as you go. It forces you not to get distracted by the story and to really focus on the words. It’s good practice if you find yourself getting distracted by some really juicy scenes.
Friends & family – Find the people you may have already been bouncing ideas around with. These people might have even critiqued other writing for you in the past. This is the best way to get detailed feedback, but depending on who you find to do this, it may not always be completely honest. People try to sugar-coat advice when they’re afraid that a friendship will be in jeopardy. Keep that in mind as you get feedback.
Scribophile – This is a great place to go, especially for first-time writers, or even writers who haven’t had their work widely read yet. On this site, you critique other peoples’ work, earn credits, then post your own work to be critiqued. You can have your story put into a queue to be read by anybody on the site, or join some of the groups to have reviews from people who might be more interested in the genre, but it’s going to take a long time to get more feedback on. If you’ve never tried it out, it’s definitely worth doing for a bit. Just be careful not to get overwhelmed in editing other peoples’ words. Sometimes you have to take a step back to make time for your writing again.
Once you’re sure your story is as good as it can be, then it’s down to formatting it and sending it off to find a home! I’ll cover where to find the publishers to get your work published.
If you’ve only read my horror short stories, you may be under the misconception that I am a pessimist at heart. It may surprise you to know that I’m actually the exact opposite. I’m one of the most optimistic people you may ever meet actually. Note that doesn’t mean I’m bubbly, just an optimist.
I’ve been that way for most of my life and I strive to continue to be optimistic even when faced with some very bleak circumstances. If you ever meet me in person, you’ll know that I really do try to share that optimism with others too. (It’s a side effect of being an INFJ I think.) When a friend is in a really deep hole, I’ll pull out a shovel and slowly work to help them out of it. I consciously try to make the world a better place, even if it is through other-worldly horror stories or heart-wrenching fantasy. To continue this not-so-official goal of mine, I’m taking part in the “We Are The World Blogfest” cause the world needs to be a little bit more bright and cheery.
Basically the We Are The World Blogfest means that on the last Friday of the month, we all will post something positive and human. Something that gives you faith in humanity again. Isn’t it a refreshing change?
My April addition mixes a few things I love: short stories and technology.
These little short story dispensers sit in the center of a shop, usually a cafe, and you just plug them in and give them network access. All a user has to do is walk up, hit a button, and a random short story gets printed out. Now these stories can be filtered depending on the environment, such as stories targeting children or targeting a particular genre. Now as you can imagine, they’ve been quite popular in France, but they’re slowly trickling into the US as well!
Store owners love them because people will come in just to get a story, and then they are more inclined to come again since they’ve scoped out the environment. It’s a great draw for customers. Writers (like myself) appreciate them because they get our work out in front of more readers. And as for humanity as a whole? Well I think getting any kind of artistic or literary work out to the public for free is a good thing. We need an excuse to step away from our phone games and work email and conversations to step into a world built on words.
I’ve already signed up for the English version of this to submit a few stories of my own, but they don’t have that portion as beefed up as the French version yet. And unfortunately my French isn’t good enough to decipher everything yet. You can bet I’ll be keeping an eye on this though! I’m eager to see this take off!
Every January I make a To-Do list of all my major works in progress and figure out which ones I want to prioritize. Here’s the 2017 edition.
Looking back over last year, I’m super proud of all the work I’ve done. So many short stories got finished up, published, and I’m hoping that more get picked up soon. Here’s a quick rundown of everything I published this year.
However I did notice that I hadn’t made much progress on my novels. Outside of Beyond the Treehouse, I didn’t do that much work on the WIP novels I had. There’s a good reason for that actually.
At the beginning of the year I got a publication offer from a small publishing company, one that I had worked with before. Their communications were a little sporadic, but I was excited to get my book published. However the contract they sent me gave me major concerns. It took me a bit to find some legal advice, but once I did I felt like I had a grounded ability to negotiate and listed out my requests. Unfortunately a big request on my list was not available to negotiate, and I had to reject the offer. A few months later I found out that the publisher was closing shop after being in the business since 2012.
I was upset to hear what had happened to them, and to the amazing authors who worked with them. It was also hard for me to get back into working on my books after that. Short stories I could dive into easily, but books were harder. Books take a lot of commitment, and after having plans fall through like that, it’s been hard to get motivated again.
I’m hoping to change that in 2017. This year I’m planning on focusing a lot more on my novels, and hopefully knock out book 2 for one of my series on the list. I also have a standalone horror novel that I’ve been itching to start too. Here’s my list of WIP novels and short stories for 2017. Look at how complete that short story listing is too! ❤
If you want to see my 2016 WIP to-do list, check out my post: